Writer Eleanor King reflects on the life and work of Kelly Mark through an object inherited from her estate, tracing Mark’s legacy and considering the posthumous presentations of her work.
BlackFlash Magazine Posts
In a hybrid digital/print artist project, EDAA finalist Kahani Ploessl presents BRUSH.jpeg, a coded drawing interface that replaces conventional brushes with web-sourced images smeared into glitched compositions that critique the concealment of labour and authorship in AI-generated content.
Writer Liza Eurich speaks with visual artist Joy Walker about her grid-based practice, tracing connections between material impermanence, textile, and gendered labour.
Saskatoon’s most sought-after Halloween party is back Saturday, October 31, 2026.
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Call for Board Members
Call for Pitches: “Patterns”
‘Traces’ Issue Launch / Saskatoon
‘Taste’ Issue Launch / Winnipeg
From BlackFlash Expanded
On the Neon Horizon is a short video essay that takes one of the world-building tics of white science fiction — gratuitous signage in Asian languages — to consider its utopian potential and dystopian applications.
From the archives
“Ishaq’s multidisciplinary practice considers time as a spiritual, multi-dimensional and abundant realm wherein personal and collective expansion is possible […] In her work, Blackness is never static; it is a galaxy.”