Coming September 2026
BlackFlash Magazine Posts
Through 3D-rendered black and white images, Moni Omubor creates a fictional museum where Yoruba artifacts exist beyond colonial possession. This artist project, titled “The Backroom” employs speculative fiction and Afro-Surrealism to interrogate Western museum practices and imagine new possibilities.
In conversation with Lodoe Laura, artist Annie Macdonell discusses her recent exhibition “The Beyond Within,” which delves into the history of psychedelic therapy. She explores her collaborative films with Maïder Fortuné and the historical ripples that help us read our fractured moment, sustaining an uncynical belief in art even as its institutions falter.
Yaniya Lee advocates for a critical approach grounded in material practice. Drawing on her recent work with textile artists in Edmonton, Lee makes a case for criticism that attends to how black artists work, focusing on their materials, methods, and processes, while calling for more diverse voices to engage with these practices.
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Job Posting: Circulations & Publishing Assistant (CanadaSummer Jobs)
Call for Board Members
Call for Pitches: “Patterns”
‘Traces’ Issue Launch / Saskatoon
‘Taste’ Issue Launch / Winnipeg
From BlackFlash Expanded
An experimental response to the Sounds Like audio art and experimental music festival, based in Saskatoon, Saskatchewan.
From the archives
Author, artist, and radical educator Vo Vo has shared a 12-page excerpt from their 106-page book “Trauma X: Holding Space Radically.” In this work, Vo Vo discusses the effects of trauma, how it shows up in everyday situations, and ways to support and build resilience in ourselves and our communities.