• 293_Warblers_2

    Warblers

    Tuesday, May 21, 2013

    work by Kara Uzelman and Jeffrey Allport, at AKA Gallery, Saskatoon, SK. By John G. Hampton AKA Gallery’s recent summer exhibition, Warblers, debuts the first collaborative installation by Nokomis-based artists and partners Kara Uzelman and Jeffery Allport. Allport, an accomplished sound artist who extracts uncanny acoustic anomalies from familiar places; and Uzelman, an internationally exhibited [...]

    Read More
  • Amalie Atkins, Three Minute Miracle: Tracking the Wolf, 2008, video, 13 mins., courtesy of the artist.

    Oh, Canada : Amalie Atkins

    Tuesday, May 21, 2013

    By Leah Taylor Exhibition curated by Denise Markonish, MASS MoCA, North Adams, MASS, USA On a warm weekend in May hundreds of artists, curators and critics descended onto the city of North Adams, Massachusetts to take in an exhibition that caused a flurry of excitement within the Canadian art community. “Oh, Canada” at the Massachusetts [...]

    Read More
  • Chris Watson recording in the field. Photo: Donald Strydom, courtesy of Touch Music.

    Foregrounding Background

    Tuesday, May 21, 2013

    By Christopher Olson Four listening instances in reverse chronological order: I. 2011. I’m at the kitchen table in Nara, Japan for my weekly headphone session with Framework:Afield, a radio show and podcast “consecrated to field recording and it’s use in composition.” It’s been a vital weekly ritual for a few years now. Instead of the [...]

    Read More
  • Annie Martin, Untitled, 2011. Installation views, from the exhibition "Horizon", courtesy of PAVED Arts.

    Sounding Spaces, Listening Bodies

    Tuesday, May 21, 2013

    By Ellen Moffat How listeners experience reverberation depends on whether the environment is primarily a social, navigational, aesthetic or musical space. Barry Blesser and Linda-Ruth Salter[i] Sound moves through the body as a physical vibration and a tangible felt experience that brings us back to our corporeality and reminds of our connectivity to our world. [...]

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  • Snæbjörnsdóttir/Wilson, Cohabiting, photograph from Uncertainty in the City, 2011.

    Snæbjörnsdóttir/Wilson

    Thursday, May 16, 2013

    A Q&A between Amy Fung and Snæbjörnsdóttir/Wilson. By: Amy Fung Fung: Your collaborative team appears aware of problematic representation and dominant/centralized discourses raging in the field of animal studies surrounding moral authority, how do you think art methodologies, especially photography/video works, can steer the discourse into alternative ways of relating with animals/nature/Other? Snæbjörnsdóttir/Wilson: In the [...]

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Featured

Warblers

293_Warblers_2

work by Kara Uzelman and Jeffrey Allport, at AKA Gallery, Saskatoon, SK. By John G. Hampton AKA Gallery’s recent summer exhibition, Warblers, debuts the first collaborative installation by Nokomis-based artists and partners Kara Uzelman and Jeffery Allport. Allport, an accomplished sound artist who extracts uncanny acoustic anomalies from familiar places; and Uzelman, an internationally exhibited [...]

Read More

Oh, Canada : Amalie Atkins

Amalie Atkins, Three Minute Miracle: Tracking the Wolf, 2008, video, 13 mins., courtesy of the artist.

By Leah Taylor Exhibition curated by Denise Markonish, MASS MoCA, North Adams, MASS, USA On a warm weekend in May hundreds of artists, curators and critics descended onto the city of North Adams, Massachusetts to take in an exhibition that caused a flurry of excitement within the Canadian art community. “Oh, Canada” at the Massachusetts [...]

Read More

Foregrounding Background

Chris Watson recording in the field. Photo: Donald Strydom, courtesy of Touch Music.

By Christopher Olson Four listening instances in reverse chronological order: I. 2011. I’m at the kitchen table in Nara, Japan for my weekly headphone session with Framework:Afield, a radio show and podcast “consecrated to field recording and it’s use in composition.” It’s been a vital weekly ritual for a few years now. Instead of the [...]

Read More

Sounding Spaces, Listening Bodies

Annie Martin, Untitled, 2011. Installation views, from the exhibition "Horizon", courtesy of PAVED Arts.

By Ellen Moffat How listeners experience reverberation depends on whether the environment is primarily a social, navigational, aesthetic or musical space. Barry Blesser and Linda-Ruth Salter[i] Sound moves through the body as a physical vibration and a tangible felt experience that brings us back to our corporeality and reminds of our connectivity to our world. [...]

Read More

Blog

BrettSmith
Apr
2

OPTIC NERVE 2013

Submissions are now being accepted for the 5th annual Optic Nerve Image Contest. Go to: www.blackflash.ca/opticnerve for application information. Submissions are viewed by a panel of judges, and the winner receives $500. The winner as well as the honourable mentions are published in an issue of BlackFlash Magazine.  Last year, the judges of the contest included: [...]

LUGO
Jan
14

LUGO 2013

BlackFlash Magazine presented an artist project by Biliana Velkova and Egan Davis at the Mendel Art Gallery’s art party fundraiser: LUGO Biliana and Egan created photos with guests throughout the night, with some specially made puppets and costumes. The photos appear on Biliana’s Instagram account (@missbiliana). BlackFlash printed small prints for guests to take home [...]

BlackFlash Magazine

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